This book challenges prevailing interpretations of Modernism by examining its complex and often contradictory relationship with tradition. Stella Deen, an art historian with a focus on early 20th-century art movements, analyzes a range of artworks and critical texts to argue for a more nuanced understanding of Modernism's engagement with the past. The work posits that rather than a complete break, Modernism involved a selective and often conflicted dialogue with historical forms and ideas.

The book is likely to appeal to scholars and students of art history interested in a critical re-evaluation of Modernism. Its focus on challenging established narratives suggests a work that engages with ongoing academic debates. The author's approach likely offers a dense, analytical perspective on the period, suitable for those seeking a deeper understanding of Modernism's complexities.