
This Book Examines A Range Of Popular Cinematic Interventions That Are Reshaping National And Global Heritage, Across Europe, Asia, The Americas And Australasia. It Examines Collaborative Or Adversarial Articulations Of Such Enterprise (by Artists, Directors, Producers But Also Local, National And Transnational Communities) That Blend Activism With Commodification, Presenting New Cultural Industries As Fluid But Significant Agents In The Production Of New Public Spheres. Rethinking Heritage: Cultural Industries And Global Kin -- Heritage Entropy? Cinematic Pilgrimage In New Zealand -- The Da Vinci 'node': Networks Of Neo-pilgrimage In The European Cosmopolis -- Projecting European Heritage: The Acropolis In Ruins -- Memory And Protest: Yimou Zhang's And Ai Weiwei's Artwork -- From Deep Ecology To Thick Description: Avatar's Cosmology Of Protest. Rodanthi Tzanelli. Includes Bibliographical References And Index.
This book investigates how contemporary cinematic productions function as active agents in the construction, commodification, and contestation of national and global heritage. Author Rodanthi Tzanelli, a scholar in cultural sociology and media, utilizes a multi-regional framework to analyze how filmic narratives interact with local and transnational communities. By examining the intersection of artistic activism and commercial industry, the text argues that cinema acts as a fluid, significant force in shaping modern public spheres and collective memory.
What You Will Find
Experts identify this work as a significant contribution to the intersection of film studies and heritage management. Scholars frequently note the dense, interdisciplinary nature of the prose, which bridges sociological theory with practical media analysis.
Page Count:
0
Publication Date:
2013-01-01
Publisher:
Routledge
ISBN-10:
0415643805
ISBN-13:
9780203079959
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