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The dark, destructive and monstrous elements of gothic fiction have traditionally been seen in opposition to the rose-tinted idealism of Romanticism. In this ground-breaking study, Fred Botting re-evaluates the relationship between the two genres in order to plot the shifting alignments of popular and literary fictions with cultural theories, consumption and representations of science.Gothic Romanced traces the history of gothic and romantic writings from the eighteenth and nineteenth centuries to the present day. It examines the ways in which these genres were aligned with the historical process of modernity – with the Gothic representing the negative aspects of vice and barbarism that accompanied the changing parameters of civilisation, while Romance clung on to traditional values, manners and feelings. The book demonstrates how these genres have evolved together alongside cultural shifts and postmodern theories, blurring the binary between the sacred and the profane.Botting considers Romance and the Gothic from Mary Shelley, Anne Rice and Alasdair Gray through to Alien and Star Trek. He manages a fluid and extensive exploration of generic boundaries, including gothic fiction, romantic poetry, literary pastiches, popular horror fiction, cyberpunk and science fiction.
This book investigates the historical and theoretical intersections between Gothic and Romantic genres to determine how they reflect shifting cultural attitudes toward modernity, technology, and gender. Fred Botting, a scholar of Gothic literature, utilizes a framework that bridges eighteenth-century literary traditions with contemporary postmodern theory. He argues that the binary opposition between the dark, monstrous Gothic and the idealistic Romantic is increasingly porous, particularly when viewed through the lens of consumption and scientific representation. By analyzing texts ranging from classic literature to modern film, Botting demonstrates how these genres evolve in tandem with societal changes.
What You Will Find
Scholars and students of literary theory frequently cite this work for its expansive approach to genre studies and its ability to synthesize disparate cultural artifacts. Readers often note the academic density of the prose, which is intended for those already familiar with critical theory and literary history.
Page Count:
226
Publication Date:
2008-01-01
Publisher:
Taylor & Francis Group
ISBN-10:
0203090713
ISBN-13:
9780203090718
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