Music Seen: The Formats And Functions Of The Music Documentary / Robert Edgar, Kirsty Fairclough-isaacs And Benjamin Halligan -- Tony Palmer's All You Need Is Love: Television's First Pop History / Paul Long And Tim Wall -- Retrospective Compilations: (re)defining The Music Documentary / Michael Saffle -- Sound And Vision: Radio Documentary, Fandom And New Participatory Cultures / Oliver Carter And Sam Coley -- The Good, The Bad And The Ugly '60s: The Opposing Gazes Of Woodstock And Gimme Shelter / Julie Lobalzo Wright -- Let Your Bullets Fly, My Friend: Jimi Hendrix At Berkeley / Emile Wennekes -- You Can't Always Get What You Want: Riding On The Medicine Ball Caravan / David Sanjek With Benjamin Halligan -- No Wave Film And The Music Documentary: From No Wave Cinema Documents To Retrospective Documentaries / Michael Goddard -- The Anxiety Of Authenticity: Post-punk In The 2000s / Erich Hertz -- Every Tongue Brings In A Several Tale: The Filth And The Fury's Counterhistorical Transgressions / Ailsa Grant Ferguson -- The Circus Is In Town: Rock Mockumentaries And The Carnivalesque / Jeffrey Roessner -- Visualizing Live Albums: Progressive Rock And The British Concert Film In The 1970s / K.j. Donnelly -- Moogie Wonderland: Technology, Modernity And The Music Documentary / Andrew Burke -- An Ethnographic Video Project For The Music Classroom / Chris L. Ballengee -- Mediating The Agony And The Ecstasy Of Phil Spector: Documenting Monstrosity? / Mark Duffett And Jon Hackett -- Desperately Seeking Kylie!: Critical Reflections On William Baker's White Diamond / Sunil Manghani And Keith Mcdonald. Edited By Robert Edgar, York St. John University, Kirsty Fairclough-isaacs, University Of Salford, And Benjamin Halligan, University Of Salford. Includes Bibliographical References And Index.