This volume investigates the critical intersection between material objects and religious practice within various Asian traditions. Editors Benjamin Fleming and Richard Mann curate a collection of essays that challenge the traditional academic focus on textual analysis by centering the physical, visual, and tactile dimensions of faith. By examining artifacts ranging from icons and architecture to ritual implements, the contributors argue that material culture is not merely a reflection of religious belief but an active agent in the construction and maintenance of religious identity.

Scholars frequently cite this work as a significant contribution to the material turn in religious studies, noting its success in bridging the gap between art history and theology. The text is considered a valuable resource for advanced students and researchers seeking to incorporate material analysis into their study of Asian religions.