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Slapstick Comedy & Its Cast Of Film Stars Has Long Been Viewed As Central To The Early Formal Development Of Narrative Cinema Generally, & Of American Cinema In Particular. This Volume Presents 14 Essays Exploring The Enduring Debates & Questions Surrounding Slapstick's Role In The Origins Of Cinema, As Well As Its Place In Movies Today. Introduction: Restoring Slapstick To The Historiography Of American Film / Tom Paulus And Rob King -- Originality And Adaptation. The Good Thieves: On The Origins Of Situation Comedy In The British Music Hall / Bryony Dixon; D.w. Griffith Shapes Slapstick / Barry Salt; Genre Parody And Comedic Burlesque: Keystone's Meta-cinematic Satires / Simon Joyce; Both Sides Of The Camera: Roscoe Fatty Arbuckle's Evolution At Keystone / Joanna E. Rapf; Mud Pies And Tears: Little Mary's Funny Side / Anke Brouwers -- Mechanics And Modernity. Mack Sennett Vs. Henry Ford / Eileen Bowser; Uproarious Inventions: The Keystone Film Company, Modernity, And The Art Of The Motor / Rob King; Mechanisms Of Laughter: The Devices Of Slapstick / Tom Gunning; Slapstick Skyscrapers: An Architecture Of Attractions / Steven Jacobs; California Slapstick Revisited / Charles Wolfe -- Bodies And Performance. Dancing Of Fire And Water: Charlot And L'esprit Nouveau / Amy Sargeant; Splashes Of Fun And Beauty: Mack Sennett's Bathing Beauties / Hilde D'haeyere; Back To The Slap: Slapstick's Hyperbolic Gesture And The Rhetoric Of Violence / Muriel Andrin; The Art Of Imitation: The Originality Of Charlie Chaplin And Other Moving-image Myths / Jennifer M. Bean. Edited By Tom Paulus And Rob King. Includes Bibliographical References (p. 258-261) And Index.
This volume investigates the foundational role of slapstick comedy in the development of narrative cinema and its persistent influence on contemporary film. Editors Rob King and Tom Paulus assemble a collection of fourteen scholarly essays that examine the intersection of physical comedy, technological modernity, and performance history. By analyzing the mechanics of laughter and the evolution of comedic tropes, the contributors argue that slapstick is not merely a primitive precursor to modern film but a sophisticated architectural element of cinematic language.
What You Will Find
Scholars and film historians frequently cite this collection as a rigorous academic resource for understanding the formal evolution of American silent comedy. The text is noted for its dense, analytical approach to film historiography, making it a valuable reference for students and researchers of early cinema.
Page Count:
275
Publication Date:
2010-01-01
Publisher:
Routledge
ISBN-10:
0415801788
ISBN-13:
9780203876763
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