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Designing the Present is a wide-ranging work of cultural theory that connects literary studies, postcoloniality, the history of architecture and design, and the history and present of empire. Professor Ananya Roy of UC Berkeley calls it a "fantastic book," and in many ways this is the best description of it. Designing the Present begins with nineteenth-century Britain's Department of Science and Arts, a venture organized by the Board of Trade, and how the DSA exerted a powerful influence on the growth of museums, design schools, and architecture throughout the British Empire. But this is only the book's literal subject: in a remarkable set of chapters, Dutta explores the development of international laws of intellectual property, ideas of design pedagogy, the technological distinction between craft and industry, the relation of colonial tutelage to economic policy, the politics and technology of exhibition, and competing philosophies of aesthetics. His thinking across these areas is ignited by engagements with Benjamin, Marx, Adam Smith and Jeremy Bentham, Kant, Mill, Ruskin, and Gandhi.A rich study in the history of ideas, of design and architecture, and of cultural politics, Designing the Present converges on the issues of present-day globalization. From nineteenth-century Britain to twenty-first century America, Designing the Present offers a theory of how things - big things -change.
How did the nineteenth-century British administrative apparatus for design and art establish the foundational structures for modern globalized aesthetics and economic policy? Arindam Dutta, an architectural historian, examines the Department of Science and Arts to trace the evolution of design pedagogy and its role in colonial expansion. By synthesizing the works of theorists such as Marx, Bentham, and Gandhi, the author constructs a framework that links historical imperial governance to contemporary global design practices.
What You Will Find
Scholars identify this work as a dense, interdisciplinary investigation into the intersection of imperial history and aesthetic theory. It is frequently cited for its rigorous synthesis of political philosophy and the material history of design institutions.
Page Count:
378
Publication Date:
2006-01-01
Publisher:
Taylor and Francis
ISBN-10:
0203961579
ISBN-13:
9780203961575
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