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The late 1970s and 1980s witnessed the emergence of a younger generation of artists working in the United Kingdom who began to receive international attention for practices which, although incredibly diverse, shared a revived interest in the sculpted object, in materials and in ideas around making. Some of these artists, such as Kate Blacker, Tony Cragg, Richard Deacon, Antony Gormley, Shirazeh Houshiary, Anish Kapoor, Richard Wentworth and Alison Wilding, rose to prominence under the loose banner New British Sculpture, while other artists, such as Eric Bainbridge, Helen Chadwick, Julian Opie, Cornelia Parker and Richard Wilson, were forging reputations for their innovative approaches to sculpture. 'Making It: Sculpture in Britain 1977¬ 1986' provides a comprehensive insight into the explosion of contemporary sculpture in Britain during the late 1970s and 1980s, launching the careers of some the most re¬nowned contemporary artists that the UK has produced.
This book investigates the significant resurgence of sculptural practices in Britain during a pivotal decade. It examines the diverse yet interconnected approaches of artists who, from the late 1970s to the mid-1980s, revitalized interest in the sculpted object, material exploration, and the very act of making, gaining international recognition for their innovative work.
The book provides a comprehensive insight into a dynamic period of British sculpture, highlighting the emergence of artists who gained international acclaim. It details the diverse practices that shared a renewed focus on materials and the act of creation. The work is presented as instrumental in launching the careers of many of the UK's most celebrated contemporary artists.
Page Count:
144
Publication Date:
2015-01-01
Publisher:
Hayward Publishing
ISBN-10:
1853323292
ISBN-13:
9781853323294
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