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How do governments shape the music industry? Rock and Popular Music examines the array of institutional and policy considerations which help determine what music is produced, how it is heard, and its connections to other cultural activity. The contributors focus on the way rock is socially regulated by policy agendas and frameworks set in place by the industries theselves--music/video production, broadcasting and some governmental support (or the lack of it.) Topics covered include: rock in East Germant, the American music industry and the global market, feminist musical practice, radio airplay formats, censorship, and Black popular music. In its exploration of policies and institutions, Rock and Popular Culture suggests significant directions for the study of contemporary music.
This volume investigates how institutional frameworks, governmental policies, and industry regulations dictate the production, distribution, and consumption of rock and popular music. The contributors, a collective of prominent scholars in cultural and media studies, analyze the intersection of creative output and systemic control. By examining diverse global contexts, the authors argue that music is not merely an aesthetic product but a socially regulated commodity shaped by broadcasting standards, censorship, and economic agendas.
What You Will Find
Experts recognize this collection as a foundational text for understanding the political economy of popular music. Scholars frequently cite the work for its comprehensive approach to institutional analysis within the field of cultural studies.
Page Count:
0
Publication Date:
2005-01-01
Publisher:
Taylor & Francis Group
ISBN-10:
0203991966
ISBN-13:
9780203991961
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