This book examines the intricate relationship between British imperialism and music, exploring how musical compositions were employed to shape and reinforce imperial ideology. The author, Jeffrey Richards, investigates how music, with its potent emotional and imaginative capabilities, was utilized to dramatize and solidify key tenets of British imperialism, including patriotism, monarchism, hero-worship, Protestantism, racialism, and chivalry. Furthermore, the text details how music served to highlight the perceived unity of Britain by emphasizing the distinct contributions of England, Scotland, Wales, and Ireland to the imperial endeavor.

This work is recognized as the first comprehensive study to link British imperialism with its musical manifestations. It offers a detailed analysis of how music was strategically employed as a tool for ideological reinforcement during the height of the British Empire. The book's scope covers the period from 1876 to 1953, providing a thorough examination of musical compositions that supported imperial tenets.