
Singing In Signs: New Semiotic Explorations Of Opera Offers A Bold And Refreshing Assessment Of The State Of Opera Study As Seen Through The Lens Of Semiotics. At Its Core, The Volume Responds To Carolyn Abbate And Roger Parker's Analyzing Opera, Utilizing A Semiotic Framework To Embrace Opera On Its Own Terms And Engage All Of Its Constituent Elements In Interpretation. Chapters In This Collection Resurrect The Larger Sense Of Serious Operatic Study As A Multi-faceted, Interpretive Discipline, No Longer In Isolation. Contributors Pay Particular Attention To The Musical, Dramatic, Cultural, And Performative In Opera And How These Modes Can Create An Intertext That Informs Interpretation. Combining Traditional And Emerging Methodologies, Singing In Signs Engages Composer-constructed And Work-specific Music-semiotic Systems, Broader Socio-cultural Music Codes, And Narrative Strategies, With Implications For Performance And Staging Practices Today.
This volume investigates how semiotic frameworks can revitalize operatic analysis by integrating musical, dramatic, and cultural elements into a cohesive interpretive model. Editors Gregory J. Decker and Matthew R. Shaftel curate a collection of essays that respond to the foundational work of Carolyn Abbate and Roger Parker. The text argues for a multi-faceted approach to opera study that moves beyond isolated analysis to embrace the complex intertextuality of performance and composition.
What You Will Find
Scope Limits
Scholars and musicologists view this collection as a significant contribution to contemporary operatic discourse. Readers frequently note the academic density of the prose, which is intended for advanced students and researchers in the field of musicology.
Page Count:
288
Publication Date:
2020-01-01
Publisher:
Oxford University Press
ISBN-10:
0190620633
ISBN-13:
9780190620639
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