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Authoritative and readable, this excellent text, illustrated by a unique pictorial record of period architecture, surveys and examines how and why the architecture of pleasure related to the stylistic and ideological concerns of modernism in 1930s Britain. Responding to the current interest in modernism and packed with a substantial archive of high quality photographs and other documentation, it relates the professional, entrepreneurial and institutional infrastructures affecting the pleasure industry's architectural development and appearance in 1930s. A broad range of building through which the general public first experienced Modernism are covered, including: commercial - holiday camps, cinemas and greyhound racing stadia municipal and governmental projects - zoos, seaside pavilions, concert halls, and imperial and international exhibitions. Arguing that the responses to modernism through the architecture of pleasure were conditioned by wider debates about the role of design in relation to high and mass culture, this book is an ideal resource for all those interested in architectural history and design in Britain between the wars.
This book investigates the intersection of modernist architectural principles and the burgeoning culture of leisure in Britain between 1925 and 1940. Bruce Peter, an expert in architectural history, examines how the stylistic and ideological concerns of modernism were applied to the design of pleasure architecture. Drawing on a unique pictorial record and substantial archival material, the book analyzes the professional, entrepreneurial, and institutional factors that shaped the development and appearance of buildings dedicated to public enjoyment during this period. It argues that the architectural responses to modernism in leisure spaces were influenced by broader discussions about the role of design in mediating between high and mass culture.
The book is regarded as an authoritative and readable text, particularly noted for its excellent survey of period architecture. Its comprehensive approach, supported by a unique pictorial record and substantial archival material, makes it a valuable resource for those interested in architectural history and design in interwar Britain. The work effectively relates the development of pleasure architecture to the broader stylistic and ideological currents of modernism, engaging with current interest in the subject. It is considered an ideal resource for students and enthusiasts of the period.
Page Count:
223
Publication Date:
2007-01-01
Publisher:
Routledge
ISBN-10:
041542819X
ISBN-13:
9780415428194
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