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First published in 2007, "Oklahoma!": The Making of an American Musical tells the full story of the beloved Rodgers and Hammerstein musical. Author Tim Carter examines archival materials, manuscripts, and journalism, and the lofty aspirations and mythmaking that surrounded the musical from its very inception. The book made for a watershed moment in the study of the American musical: the first well-researched, serious musical analysis of this landmark show by a musicologist, it was also one of the first biographies of a musical, transforming a field that had previously tended to orient itself around creators rather than creations.In this new and fully revised edition, Carter draws further on recently released sources, including the Rouben Mamoulian Papers at the Library of Congress, with additional correspondence, contracts, and even new versions of the working script used - and annotated - throughout the show's rehearsal process. Carter also focuses on the key players and concepts behind the musical, including the original play on which it was based (Lynn Riggs's Green Grow the Lilacs) and the Theatre Guild's Theresa Helburn and Lawrence Langner, who fatefully brought Rodgers and Hammerstein together for their first collaboration. The crucial new perspectives these revisions and additions provide make this edition of Carter's seminal work a compulsory purchase for all teachers, students, and lovers of musical theater.
How did the collaborative process and cultural context of Rodgers and Hammerstein’s Oklahoma! transform the landscape of the American musical? Tim Carter, a musicologist, investigates the origins of this landmark production by analyzing archival manuscripts, correspondence, and rehearsal scripts. He argues that the musical represents a pivotal shift in theater history, moving the focus of scholarly study from the individual creators to the mechanics and evolution of the work itself.
What You Will Find
Scope Limits
Experts recognize this work as a foundational text in the field of musical theater studies due to its rigorous archival research and musicological depth. Readers frequently note the academic density of the prose, which provides a high level of detail suitable for students and serious theater historians.
Page Count:
328
Publication Date:
2020-09-01
Publisher:
Oxford University Press
ISBN-10:
0190665211
ISBN-13:
9780190665210
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