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This First In-depth Study Of The Reception Of Ancient Greek Drama In Israeli Theatre Over The Last 70 Years Offers Ground-breaking Analysis Of A Wide Range Of Translations, Adaptations, And New Writing, And How Performances Of These Works Were Created And Staged At Key Points In The Development Of Israeli Culture. Introduction -- Habima -- The Cameri -- Experimentations -- Aristophanes And The Occupied Territoreis -- The Trojan War And The Israeli-palestinian Conflict -- Lysistrata -- Nissim Aloni -- Hanoch Levin -- Classical Presnces And 'post Dramatic' Performances -- The Classical Tradition In The University Theatre -- Israeli Theatre Nurit Yaari. Includes Bibliographical References (pages 421-449) And Index.
This work investigates how the reception of ancient Greek drama has shaped the development and identity of Israeli theatre over the past seven decades. Nurit Yaari, a scholar of theatre studies, utilizes a comprehensive analysis of translations, adaptations, and original stage productions to argue that classical Greek texts serve as a mirror for contemporary Israeli socio-political concerns. By examining the intersection of Hellenic tradition and modern Israeli cultural evolution, the author provides a framework for understanding how ancient narratives are recontextualized within a volatile national landscape.
What You Will Find
Scope Limits
Experts recognize this volume as a foundational text for understanding the intersection of classical literature and modern Israeli identity. Readers frequently note the academic density of the prose and the depth of the archival research presented throughout the chapters.
Page Count:
0
Publication Date:
1900-01-01
Publisher:
Oxford University Press,
ISBN-10:
0191808539
ISBN-13:
9780191808531
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