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Because dance materializes through and for people, because we learn to dance from others and often present dance to others, the moment of its transmission is one of dance's central and defining features. Valuing Dance looks at the occasion when dancing passes from one person to another as an act of exchange, one that is redolent with symbolic meanings, including those associated with its history and all the labor that has gone into its making. It examines two ways that dance can be exchanged, as commodity and as gift, reflecting on how each establishes dance's relative worth and merit differently. When and why do we give dance? Where and to whom do we sell it? How are such acts of exchange rationalized and justified? Valuing Dance poses these questions in order to contribute to a conversation around what dance is, what it does, and why it matters.
This work investigates the mechanisms of value creation in dance by analyzing the act of transmission as a form of economic and social exchange. Susan Leigh Foster, a prominent scholar in dance and performance studies, utilizes a theoretical framework grounded in gift exchange and commodity theory to evaluate how dance is perceived, traded, and valued within different social contexts. By examining the labor and history embedded in movement, the author argues that the mode of exchange fundamentally alters the perceived merit of the art form.
What You Will Find
Scope Limits
Scholars in performance studies recognize this text as a significant contribution to the discourse on the political economy of the arts. Readers frequently note the academic density of the prose, which is intended for advanced students and researchers in the humanities.
Page Count:
262
Publication Date:
2019-01-01
Publisher:
Oxford University Press
ISBN-10:
019093400X
ISBN-13:
9780190934002
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