
How Can An Abstract Sequence Of Sounds So Intensely Express Emotional States? How Does Music Elicit Or Arouse Our Emotions? What Happens At The Physiological And Neural Level When We Listen To Music? How Do Composers And Performers Practically Manage The Expressive Powers Of Music? How Have Societies Sought To Harness The Powers Of Music For Social Or Therapeutic Purposes? In The Past Ten Years, Research Into The Topic Of Music And Emotion Has Flourished. In Addition, The Relationship Between The Two Has Become Of Interest To A Broad Range Of Disciplines In Both The Sciences And Humanities. The Emotional Power Of Music Is A Multidisciplinary Volume Exploring The Relationship Between Music And Emotion. Bringing Together Contributions From Psychologists, Neuroscientists, Musicologists, Musicians, And Philosophers, The Volume Presents Both Theoretical Perspectives And In-depth Explorations Of Particular Musical Works, As Well As First-hand Reports From Music Performers And Composers. In The First Section Of The Book, The Authors Consider The Expression Of Emotion Within Music, Through Both Performance And Composing. The Second Section Explores How Music Can Stimulate The Emotions, Considering The Psychological And Neurological Mechanisms That Underlie Music Listening. The Third Section Explores How Different Societes Have Sought To Manage And Manipulate The Power Of Music. The Book Is Valuable For Those In The Fields Of Music Psychology And Music Education, As Well As Philosophy And Musicology
This volume investigates the mechanisms through which abstract sound sequences elicit, express, and regulate human emotional states across physiological, psychological, and social dimensions. The editors, Bernardino Fantini, Tom Cochrane, and Klaus R. Scherer, curate a collection of interdisciplinary research that bridges the gap between the humanities and the sciences. By synthesizing contributions from neuroscientists, musicologists, and practicing musicians, the text establishes a comprehensive framework for understanding how music functions as both a personal emotive stimulus and a tool for social control.
What You Will Find
Scope Limits
Experts identify this volume as a significant interdisciplinary resource for scholars in music psychology and philosophy. Readers frequently note the academic density of the prose, which serves as a foundational text for those examining the intersection of cognitive science and the arts.
Page Count:
392
Publication Date:
2013-01-01
Publisher:
Oxford University Press
ISBN-10:
0191504955
ISBN-13:
9780191504952
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