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The First World War mangled faces, blew away limbs, and ruined nerves. Ten million dead, twenty million severe casualties, and eight million people with permanent disabilities - modern war inflicted pain and suffering with unsparing, mechanical efficiency. However, such horror was not the entire story. People also rebuilt their lives, their communities, and their bodies. From the ashes of war rose beauty, eroticism, and the promise of utopia. Ana Carden-Coyne investigates the cultures of resilience and the institutions of reconstruction in Britain, Australia, and the United States. Immersed in efforts to heal the consequences of violence and triumph over adversity, reconstruction inspired politicians, professionals, and individuals to transform themselves and their societies. Bodies were not to remain locked away as tortured memories. Instead, they became the subjects of outspoken debate, the objects of rehabilitation, and commodities of desire in global industries. Governments, physicians, beauty and body therapists, monument designers and visual artists looked to classicism and modernism as the tools for rebuilding civilization and its citizens. What better response to loss of life, limb, and mind than a body reconstructed?
How did the cultural and political frameworks of classicism and modernism shape the rehabilitation and societal reintegration of disabled veterans following the First World War? Ana Carden-Coyne, a historian specializing in the cultural history of war, examines the intersection of medical practice, aesthetic ideals, and state policy. She argues that the reconstruction of the wounded body was not merely a medical necessity but a deliberate cultural project that utilized classical and modernist tropes to redefine citizenship and national identity in the aftermath of mass trauma.
What You Will Find
Scope Limits
Scholars frequently cite this work for its nuanced exploration of how aesthetic ideals influenced the physical rehabilitation of veterans. Experts highlight the text as a significant contribution to the cultural history of the First World War, noting its ability to bridge the gap between medical history and the history of art and design.
Page Count:
359
Publication Date:
2009-01-01
Publisher:
OUP Oxford
ISBN-10:
0191609382
ISBN-13:
9780191609381
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