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Shakespeare and the English-speaking Cinema is a lively, authoritative, and innovative overview of the ways in which Shakespeare's plays have been adapted for cinema. Organised by topics rather than chronology, it offers detailed commentary on significant films, including both 'mainstream' and 'canonical' works by such directors as Laurence Olivier, Orson Welles, Franco Zeffirelli, and Kenneth Branagh, and such ground-breaking movies as Derek Jarman's The Tempest, Baz Luhrmann's William Shakespeare's Romeo + Juliet and Peter Greenaway's Prospero's Books. Chapters on the location of films in place and time, the effect of this on characterisation, and issues of gender and political power are followed by a discussion of work that goes 'beyond Shakespeare. A filmography and suggestions for further reading complete this stimulating, fresh, and accessible account of an important aspect of Shakespeare studies.
This book investigates the complex relationship between Shakespearean drama and the evolution of English-language cinema. Russell Jackson, a scholar of Shakespearean performance and adaptation, utilizes a thematic framework to analyze how directors translate stage plays into cinematic experiences. By moving away from chronological history, the text argues that the medium of film fundamentally alters the reception and interpretation of Shakespeare's canonical works.
What You Will Find
Scope Limits
Scholars and students of film studies frequently cite this work as a clear and accessible entry point into the mechanics of Shakespearean adaptation. Experts highlight the text's thematic organization as a useful tool for comparing diverse directorial approaches to the same source material.
Page Count:
192
Publication Date:
2014-01-01
Publisher:
OUP Oxford
ISBN-10:
0191665088
ISBN-13:
9780191665080
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