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This is a comprehensive survey of the relationship between film and literature. It looks at the cinematic adaptations of such literary masters as Shakespeare, Henry James, Joseph Conrad and D.H. Lawrence, and considers the contribution to the cinema made by important literary figures as Harold Pinter, James Agree and Graham Greene. Elsewhere, the book draws intriguing analogies between certain literary and film artists, such as Dickens and Chaplin, Ford and Twain, and suggests that such analogies can throw fresh light on the subjects under review. Another chapter considers the film genre of the bio-pic, the numerous cinematic attempts to render in concrete terms the complexities of the literary life, whether the writer be Proust, Joyce, Oscar Wilde, Dashiel Hammett, Agatha Christie or Boris Pasternak. Originally published in 1986, this is a book to appeal to any reader with an interest in film or literature, and is of especial value to those involved in the teaching or study of either subject.
This book investigates the complex aesthetic and structural relationship between literature and cinema through the lens of adaptation. Neil Sinyard, an established scholar in film studies, utilizes a comparative framework to analyze how literary narratives are translated into visual media. By examining the works of canonical authors and the contributions of literary figures to screenwriting, the text argues that film and literature share deep thematic and stylistic parallels that enrich the understanding of both mediums.
What You Will Find
Experts recognize this work as a foundational text for students and educators interested in the intersection of film and literature. Readers frequently note the clarity of Sinyard's comparative approach, which remains relevant for those studying the mechanics of adaptation.
Page Count:
0
Publication Date:
2013-01-01
Publisher:
Taylor & Francis Group
ISBN-10:
0203527445
ISBN-13:
9780203527443
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