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In his Illuminated Books, William Blake combined text and imagery on a single page in a way that had not been done since the Middle Ages. For Blake, religion and politics, intellect and emotion, mind and body were both unified and in conflict with each other: his work is expressive of his personal mythology, and his methods of conveying it were integral to its meaning. There is no comparison with reading books such as Jerusalem, America, and Songs of Innocence and of Experience in Blake's own medium, infused with his sublime and exhilarating colors. Tiny figures and forms dance among the lines of the text, flames appear to burn up the page, and dense passages of Biblical-sounding text are brought to a jarring halt by startling images of death, destruction, and liberation. Blake's hope that his books would obtain wide circulation was unfulfilled: some exist only in unique copies and none was printed in more than very small numbers. Now, for the first time, the plates from the William Blake Trust's Collected Edition have been brought together in a single volume, with transcripts of the texts and an introduction by the noted scholar David Bindman. A major retrospective exhibition of Blake's work can be seen at the Metropolitan Museum of Art (March-June 2001). 400 color illustrations.Includes:JerusalemSongs of Innocence and of ExperienceAll Religions are OneThere is No Natural ReligionThe Book of ThelThe Marriage of Heaven and HellVisions of the Daughters of AlbionAmerica a ProphecyEurope a ProphecyThe Song of LosMilton a PoemThe Ghost of AbelOn Homers Poetry [and] On VirgilLaocoonThe First Book of UrizenThe Book of AhaniaThe Book of Los
This volume investigates the unique synthesis of visual art and poetic text within William Blake’s illuminated books, exploring how his integrated medium functions as a vehicle for his personal mythology. The collection presents the work of William Blake, an 18th-century visionary poet and printmaker, utilizing high-quality reproductions from the William Blake Trust. The text argues that Blake’s unconventional printing methods and the physical layout of his pages are essential components of his philosophical and political critique, rather than mere decorative additions.
What You Will Find
Scope Limits
Scholars and art historians regard this volume as a definitive resource for accessing Blake’s visual and textual output in a unified format. Readers frequently note that the high-quality color reproductions are vital for understanding the interplay between Blake’s intricate illustrations and his complex, prophetic poetry.
Page Count:
416
Publication Date:
1975-01-01
Publisher:
Oxford University Press
ISBN-10:
019211848X
ISBN-13:
9780192118486
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