The Biennale of Sydney 2002 explores the boundless potential of human imagination and its intersection with reality. This exhibition, themed '(The World May Be) Fantastic', showcases the works of 57 artists from 21 countries, presenting a diverse range of artistic expressions that challenge conventional perceptions. The event features explorations into drug use in the Andes, surreal landscapes, imagined cities, and fantastical flying machines, all designed to provoke thought and wonder in the viewer.

The Biennale of Sydney 2002, '(The World May Be) Fantastic', was an exhibition that aimed to showcase a wide array of contemporary artistic practices that delved into the realms of imagination and the surreal. The collection of works presented by 57 international artists offered a broad spectrum of interpretations on the theme, ranging from the overtly fantastical to the subtly uncanny. Critical reception likely focused on the curatorial choices, the diversity of the participating artists, and the exhibition's success in provoking dialogue about the nature of reality and imagination. The event served as a significant platform for contemporary art in Sydney during its run.