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The evening of June 26, 1923. A conflagration destroys the Palace of Established Happiness in Beijing's Forbidden City. Every single painting and piece of calligraphy in the Qianlong Emperor's collection is consumed in the fiery blaze. Was the fire man-made? Had the paintings and calligraphy already gone missing before the fire started? These two questions remain unsolved mysteries to this day. Author extensive research over many years has unearthed a number of authentic antique Chinese paintings and calligraphy that still survive. Each of these artistic treasures are between roughly five to more than 50 meters long. The fact that each scroll bears the seal marks of dozens and, in some cases, over one hundred collectors and connoisseurs is, of course, the most compelling evidence of these scrolls’ traceable provenance. This book delves into one of these works: the Wen Tianxiang calligraphy. To help readers appreciate the Wen Tianxiang calligraphy, the author has employed a simple ten-question format that offers an insight into essential identification methods. 1923626 “” 2 1 100 “” “”10QA
A devastating fire in Beijing's Forbidden City in 1923 destroyed the Qianlong Emperor's collection of paintings and calligraphy, raising questions of arson or prior theft. Ho Kwong-sing's extensive research has uncovered surviving antique Chinese artworks, including the Wen Tianxiang calligraphy featured in this book. These scrolls, some over 50 meters long, are authenticated by the seals of numerous collectors, attesting to their provenance. The book focuses on the Wen Tianxiang calligraphy, offering readers an insight into identification methods through a ten-question format.
The book delves into the historical mystery surrounding the destruction of the Qianlong Emperor's art collection and presents surviving pieces as evidence of Ho Kwong-sing's extensive research. The focus on the Wen Tianxiang calligraphy and the inclusion of identification methods suggest a work aimed at art historians, collectors, and enthusiasts interested in Chinese art provenance. The author's approach, utilizing a question-and-answer format for identification, indicates a desire to make complex art authentication accessible to a broader audience.
Page Count:
80
Publication Date:
2023-09-13
Publisher:
Independently published
ISBN-13:
9798861063050
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