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Giovanni Pico della Mirandola has been a beacon of progress in modern times, and the Oration on the Dignity of Man has been the engine of his fame. But he never wrote a speech about the dignity of man. The prince's speech announced quite different projects: persuading Christians to become Kabbalists in order to annihilate themselves in God; and convincing philosophers that their path to saving wisdom was concord rather than disputation. Pico della Mirandola On Trial: Heresy, Freedom, and Philosophy shows that Pico's work was in no way progressive - or 'humanist' - and that his main authorities were medieval clerics and theologians, not secular Renaissance intellectuals. The evidence is Pico's Apology, his self-defence against heresy charges: this public polemic reveals more about him than the famous speech that he never gave and that deliberately kept its message secret. The orator's method in the Oration was esoteric, but the defendant in the Apology made his case openly in a voice that was academic and belligerent, not prophetic or poetic. Since the middle of the last century, textbooks written for college students have promoted only one Pico, a hero of progressive humanism. But his Conclusions and Apology, products of late medieval culture, were in no way progressive. The grim scene of the Apology, his report on a battle for life and honor, was the proximate medieval past where human history was despised as the annals of sin. To understand Pico's universe of dismal expectations, our best guide is his Apology, based on lessons learned from medieval teachers.
This work investigates the historical accuracy of the modern perception of Giovanni Pico della Mirandola as a progressive humanist, arguing instead that his intellectual foundations were rooted in medieval theology. Brian P. Copenhaver, a scholar of Renaissance philosophy, utilizes Pico's own Apology—a defense against heresy charges—to challenge the long-standing academic narrative surrounding the Oration on the Dignity of Man. By analyzing these primary sources, Copenhaver demonstrates that Pico's projects were driven by esoteric religious goals and medieval scholastic traditions rather than the secular humanism often attributed to him in modern textbooks.
What You Will Find
Scope Limits
Scholars and historians of the Renaissance frequently note the rigorous archival approach Copenhaver takes to dismantle established myths. Experts highlight this as a necessary corrective to the simplified, popular view of Pico that has dominated academic curricula for decades.
Page Count:
285
Publication Date:
2022-01-01
Publisher:
OUP Oxford
ISBN-10:
0192674161
ISBN-13:
9780192674166
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