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Robert Schumann sketched his First Symphony in only four days--a remarkable feat for an artist poorly versed in the genre. In this study, Jon Finson examines these sketches to show how the composer's experience with symphonic composition and his autodidactic course in orchestration assisted in the rapid fashioning of this symphony--a work deliberately calculated to establish his reputation as a major artist. Finson also provides examples of the autograph score and subsequent editions of the Spring Symphony to reveal Schumann's empirical method of orchestration and his concern for the exigencies of performance.
This study investigates the compositional process and orchestration techniques Robert Schumann employed to complete his First Symphony in a remarkably short timeframe. Jon W. Finson, a scholar of 19th-century music, utilizes primary source sketches and autograph scores to demonstrate how Schumann transitioned from smaller forms to large-scale symphonic writing. The book argues that the symphony was a strategic effort by the composer to solidify his standing as a major artist through a rigorous, self-taught approach to orchestral structure.
What You Will Find
Scope Limits
Musicologists and scholars frequently cite this work as a definitive resource for understanding Schumann's creative process and his technical development as an orchestrator. Readers often note the academic density of the prose, which provides a high level of detail suitable for students and professionals in the field of musicology.
Page Count:
170
Publication Date:
1989-12-07
Publisher:
Oxford University Press
ISBN-10:
0193132133
ISBN-13:
9780193132139
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