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John Cage's name has long been well known and his influence widely acknowledged. Yet his music is comparatively unexplored and his ideas have often been misrepresented. This book is the first serious study of Cage's output and considers his music in relation to the development of his thinking. Paul Griffiths (born 24 November 1947) is a British music critic, novelist and librettist. He is particularly noted for his writings on modern classical music and for having written the librettos for two 20th-century operas, Tan Dun's Marco Polo and Elliott Carter's What Next?.
This book investigates the relationship between John Cage's musical compositions and the evolution of his philosophical ideas. Author Paul Griffiths, a noted music critic and librettist, provides a rigorous examination of Cage's body of work to correct common misrepresentations. By analyzing the intersection of Cage's creative output and his intellectual development, the text offers a structured framework for understanding his influence on 20th-century music.
What You Will Find
Scope Limits
Experts and musicologists recognize this work as a foundational study for those seeking to move beyond superficial knowledge of Cage's influence. Readers frequently note the academic precision of the prose and the author's ability to synthesize complex musical theory with philosophical inquiry.
Page Count:
50
Publication Date:
1981-01-01
Publisher:
Oxford University Press
ISBN-10:
0193154501
ISBN-13:
9780193154506
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