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In this acute and wide-ranging survey, Gerald Abraham deals with such subjects [...] as the musicality of different nations; the influence on music of languages, political events, and social customs; the value and danger of tradition for the individual composer; and whether the rise of electronic music, unlike earlier musical revolutions, will prove a true discontinuity which may actually mark the end of the Western tradition in music [...]ContentsI. The Nature of Musical TraditionII. The Dynamic SynthesisIII. The Historical Process at WorkIV. The Factor of LanguageV. The Social FactorVI. Tradition and the Individual GeniusIndex
This work investigates the fundamental nature of Western musical tradition and whether modern technological shifts represent a definitive break from historical continuity. Gerald Abraham, a noted musicologist, utilizes a comparative historical framework to examine how external forces—such as linguistics, political climate, and social structures—have shaped the evolution of Western composition. By analyzing the tension between individual creative genius and established cultural norms, the author provides a structured argument regarding the sustainability of traditional musical forms in an era of electronic innovation.
What You Will Find
Scope Limits
Scholars and music historians frequently cite this text for its concise synthesis of complex cultural influences on musical development. Readers often note the academic density of the prose, which serves as a foundational inquiry into the sociological underpinnings of the Western musical canon.
Page Count:
130
Publication Date:
1974-01-01
Publisher:
Oxford University Press
ISBN-10:
0193163241
ISBN-13:
9780193163249
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