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The History of Byzantine Music and Hymnography was first published in 1949 and has for ten years been the standard textbook on this subject. Recent progress in this field, however, due in part to the author’s own work, has made a second revised and enlarged edition necessary. The sections on Byzantine liturgy and on Byzantine notation have been rewritten and considerably extended. New chapters have been added on the melismatic style and on liturgical chant proper. Thus, for the first time, the entire field of Byzantine musicology has been covered and the second edition will be indispensable not only to all those interested in Byzantine studies but also to students of Eastern liturgy. Egon Joseph Wellesz (1885-1974) was an Austrian composer, musicologist, and teacher. His importance as a composer rests chiefly on his stage works and symphonies. While his creative career was divided between Vienna and Oxford, his musical style was unpredictable, showing his affection for beautiful melo
This work investigates the historical development, liturgical function, and technical notation of Byzantine music and hymnography. Egon Wellesz, a distinguished composer and musicologist, utilizes his extensive research to provide a comprehensive framework for understanding the evolution of Eastern liturgical chant. By synthesizing historical records with musicological analysis, the author establishes a foundational text that tracks the progression of melodic styles and the complexities of Byzantine musical notation.
What You Will Find
Experts and scholars in the field of Byzantine studies recognize this text as a foundational resource for understanding the complexities of Eastern liturgical music. Readers frequently note the academic density of the prose, which serves as a rigorous guide for students and researchers of musicology.
Page Count:
461
Publication Date:
1961-01-01
Publisher:
Oxford University Press
ISBN-10:
0198161115
ISBN-13:
9780198161110
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