
As an Amazon Associate and affiliate partner, Menrva Books earns from qualifying purchases. Learn more
Art, Emotion, and Ethics is a systematic investigation of the relation of art to morality, a topic that has been of central and recurring interest to the philosophy of art since Plato. Berys Gaut explores the various positions that have been taken in this debate, and argues that an artwork is always aesthetically flawed insofar as it possesses a moral defect that is aesthetically relevant. Three main arguments are developed for this view; these involve showing how moral goodness is itself a kind of beauty, that artworks can teach us about morality and that this is often an aesthetic merit in them, and that our emotional responses to works of art are properly guided in part by moral considerations.Art, Emotion, and Ethics also contains detailed interpretations of a wide range of artworks, including Rembrandt's Bathsheba and Nabokov's Lolita, which show that ethical criticism can yield rich and plausible accounts of individual works. Gaut develops a new theory of the nature of aesthetic value, explores how art can teach us about the world and what we morally ought to do by guiding our imaginings, and argues that we can have genuine emotions towards people and events that we know are merely fictional.Characterised by its clarity and sustained argument, this book will be of interest to anyone who wants to understand the relation of art to morality.
This book investigates the fundamental relationship between art and morality, specifically arguing that moral defects in an artwork constitute aesthetic flaws. Berys Gaut, a prominent philosopher of art, utilizes a systematic philosophical framework to challenge the view that aesthetic value is entirely independent of ethical considerations. By synthesizing historical perspectives with contemporary analysis, he posits that moral goodness functions as a form of beauty and that our emotional engagement with fiction is inherently tied to moral judgment.
What You Will Find
Scholars and students of aesthetics frequently cite this work as a primary text for understanding the 'ethicism' position in philosophy. Readers often note the clarity of the prose and the rigor of the arguments, making it a standard reference for those exploring the intersection of moral philosophy and art criticism.
Page Count:
280
Publication Date:
2007-07-12
Publisher:
Clarendon Press
ISBN-10:
0199263213
ISBN-13:
9780199263219
No comments yet. Be the first to share your thoughts!