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Winner of the 2015 Music in American Culture Award from the American Musicological SocietyWhen Leonard Bernstein first arrived in New York City, he was an unknown artist working with other brilliant twentysomethings, notably Jerome Robbins, Betty Comden, and Adolph Green. By the end of the 1940s, these artists were world famous. Their collaborations defied artistic boundaries and subtly pushed a progressive political agenda, altering the landscape of musical theater, ballet, and nightclub comedy. In Bernstein Meets Broadway: Collaborative Art in a Time of War, award-winning author and scholar Carol J. Oja examines the early days of Bernstein's career during World War II, centering around the debut in 1944 of the Broadway musical On the Town and the ballet Fancy Free. As a composer and conductor, Bernstein experienced a meteoric rise to fame, thanks in no small part to his visionary colleagues. Together, they focused on urban contemporary life and popular culture, featuring as heroes the itinerant sailors who bore the brunt of military service. They were provocative both artistically and politically. In a time of race riots and Japanese internment camps, Bernstein and his collaborators featured African American performers and a Japanese American ballerina, staging a model of racial integration. Rather than accepting traditional distinctions between high and low art, Bernstein's music was wide-open, inspired by everything from opera and jazz to cartoons. Oja shapes a wide-ranging cultural history that captures a tumultuous moment in time. Bernstein Meets Broadway is an indispensable work for fans of Broadway musicals, dance, and American performance history.
This book investigates how Leonard Bernstein and his circle of collaborators utilized the Broadway stage and ballet to challenge social norms and integrate progressive politics during the height of World War II. Carol J. Oja, a distinguished musicologist, draws upon archival research and performance history to analyze the intersection of high art and popular culture. She argues that the collaborative efforts of Bernstein, Jerome Robbins, Betty Comden, and Adolph Green functioned as a deliberate response to the racial and political tensions of the 1940s.
What You Will Find
Experts recognize this work as a definitive study of the mid-century American cultural landscape and the evolution of musical theater. Readers frequently note the academic rigor of the prose, which provides a detailed look at the intersection of artistic innovation and social activism.
Page Count:
415
Publication Date:
2014-01-01
Publisher:
Oxford University Press
ISBN-10:
0199343624
ISBN-13:
9780199343621
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