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Luxury and Power examines the material world of English ambassadors at the end of the seventeenth century, and illustrates the way in which architecture and the arts played an important role in diplomatic life. It positions luxury consumption firmly in the political domain and demonstrates the significance of diplomats as cultural intermediaries, highlighting the importance of the material world to politicians and the role that diplomats played in the evolution of artistic appreciation in England.Split into two parts, the first half covers the life of diplomats abroad: where they lived, what they took with them, and the style in which they lived when away from home. It investigates the ambassadorial household and the role of wives in embassy life, and positions women at the centre of the diplomatic world. Within the wider context of artistic patronage, not just fine art, Helen Jacobsen assesses their impact as conduits for the arts, examining their own collecting and the acquisitions they made for their friends and patrons back home.Through case studies, part two examines how cultural politics drove the luxury consumption in which so many diplomats indulged. Such expenditure was not random, but was informed by diplomatic activity and was affected by the evolution in European diplomacy during these years. Importantly, it reveals that far from being the magpies satirised by eighteenth-century commentators, many of these patrons displayed a knowledge and understanding of many areas of artistic endeavour that made them indubitable connoisseurs of architecture, painting, furniture, textiles, silver, and coaches. Helen Jacobsen re-evaluates the reputation for artistic patronage of the later Stuart years and finds that the contribution by English diplomats has been sorely neglected.
This work investigates how the material culture and luxury consumption of English diplomats between 1660 and 1714 served as a critical instrument of political influence and artistic development. Helen Jacobsen, a specialist in early modern history, utilizes archival records and material evidence to challenge the historical perception of Stuart-era diplomats as mere collectors. She argues that these figures functioned as sophisticated cultural intermediaries whose patronage and acquisition habits were deeply integrated into the political and diplomatic strategies of the period.
What You Will Find
Historians and scholars of the Stuart period recognize this monograph as a significant contribution to the study of material culture and diplomatic history. The text is noted for its rigorous archival research and its ability to bridge the gap between political history and the history of art.
Page Count:
320
Publication Date:
2012-01-13
Publisher:
Oxford University Press
ISBN-10:
0199693757
ISBN-13:
9780199693757
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