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Following his much-acclaimed The Baroque Clarinet and The Clarinet in the Classical Period, Albert R. Rice now turns his signature detailed attention to large clarinets - the clarinet d'amour, the basset horn, the alto clarinet, bass and contra bass clarinets. Each chapter is devoted to a specific instrument, and offers a fascinating insider's look at its defining characteristics, a comprehensive history of its evolution, meticulously-researched information on its makers and aspects of construction, and a thorough discussion of its music. Rice illustrates how the introduction of large clarinets into chamber ensembles, wind bands, and opera orchestras was the result of experiments meant to address specific musical needs. Along the way, he brings to life the musicians, virtuosi, soloists, and orchestral and band musicians, as well as the instruments' makers and the composers from J. C. Bach to Smetana who wrote for them. Based on careful study of primary sources - musical compositions, patents, memoirs and diaries, and unfettered access to historical instruments themselves--Rice's expert presentation is nothing short of exhaustive. From the Clarinet d'Amour to the Contrabass will engage all who love the clarinet and its music.
This work investigates the historical development, technical evolution, and musical integration of large-sized clarinets between 1740 and 1860. Albert R. Rice, a recognized scholar in organology, utilizes a vast array of primary source material, including original patents, period diaries, and surviving historical instruments, to construct a comprehensive record of these specialized woodwinds. The text argues that the emergence of instruments like the basset horn and contra bass clarinet was not arbitrary, but a calculated response to the shifting acoustic requirements of chamber ensembles and opera orchestras during the 18th and 19th centuries.
What You Will Find
Experts in the field of musicology regard this text as a definitive reference for the study of woodwind history. Readers frequently note the academic density of the prose, which provides a rigorous and exhaustive examination of the subject matter for both scholars and serious musicians.
Page Count:
488
Publication Date:
2009-01-01
Publisher:
Oxford University Press
ISBN-10:
0199711178
ISBN-13:
9780199711178
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