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The universally acclaimed and award-winning Oxford History of Western Music is the eminent musicologist Richard Taruskin's provocative, erudite telling of the story of Western music from its earliest days to the present. Each book in this superlative five-volume set illuminates-through a representative sampling of masterworks-the themes, styles, and currents that give shape and direction to a significant period in the history of Western music. Music in the Seventeenth and Eighteenth Centuries, the second volume Richard Taruskin's monumental history, illuminates the explosion of musical creativity that occurred in the seventeenth and eighteenth centuries. Examining a wealth of topics, Taruskin looks at the elegant masques and consort music of Jacobean England, the Italian concerto style of Corelli and Vivaldi, and the progression from Baroque to Rococo to romantic style. Perhaps most important, he offers a fascinating account of the giants of this period: Bach, Handel, Mozart, Haydn, and Beethoven. Laced with brilliant observations, memorable musical analysis, and a panoramic sense of the interactions between history, culture, politics, art, literature, religion, and music, this book will be essential reading for anyone who wishes to understand this rich and diverse period.
This volume investigates the evolution of Western musical language and structural innovation during the seventeenth and eighteenth centuries. Richard Taruskin, a distinguished musicologist, utilizes a vast array of primary source documents and musical scores to construct a narrative that links artistic output to the broader cultural and political shifts of the era. He argues that the transition from Baroque complexity to the clarity of the Classical period represents a fundamental shift in how Western society conceptualized musical expression and performance.
What You Will Find
Scholars and students of musicology frequently cite this work as a definitive, high-level reference for the period due to its rigorous analytical depth. Readers often note the academic density of the prose, which requires a foundational understanding of music theory to fully appreciate the author's arguments.
Page Count:
832
Publication Date:
2006-01-01
Publisher:
Oxford University Press
ISBN-10:
0199796033
ISBN-13:
9780199796038
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