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The power of music, the way it works on the mind and heart, remains an enticing mystery. Now two noted writers on classical music, Michael Steinberg and Larry Rothe, explore the allure of this melodious art--not in the clinical terms of social scientists--but through stories drawn from their own experience. In For the Love of Music, Steinberg and Rothe draw on a lifetime of listening to, living with, and writing about music, sharing the delights and revelatory encounters they have had with Mozart, Brahms, Stravinsky, and a host of other great (and almost-great) composers. At once highly personal and immediately accessible, their writings shed light on those who make music and those who listen to it--drawing readers into the beautiful and dangerous terrain that has meant so much to the authors. In recounting how they themselves came to love music, Steinberg and Rothe offer keys for listening. Here you will find the story of a boy discovering a lifelong passion as he huddled in an alley behind a movie theater in World War II England, listening to the Fantasia soundtrack. You will meet the man who created the sound of Hollywood's Golden Age. You will learn how composers have addressed issues as contemporary as AIDS and the terrorist attacks of September 11. You will sit in on strange and enlightening listening sessions with one of America's quirkiest music critics. And you will enter a world of mind- and soul-nourishing pleasures. Articulate and impassioned, sophisticated but never esoteric, Steinberg and Rothe offer invigorating reflections on music that will delight both the beginning and the seasoned listener.
How does the subjective experience of listening to classical music transform an individual's perception of art and history? Michael J. Steinberg and Larry Rothe, both established music critics and writers, utilize their extensive professional backgrounds to argue that music is best understood through personal narrative rather than clinical analysis. By weaving together anecdotes from their own lives with historical context, they present a framework where music serves as a bridge between the composer's intent and the listener's emotional reality. Their argument posits that the act of listening is an active, creative process that evolves alongside the listener's life experiences.
What You Will Find
Critics and readers frequently praise the book for its accessible, conversational tone that avoids overly technical jargon. It is widely regarded as a welcoming entry point for those looking to deepen their appreciation of classical music through a humanistic lens.
Page Count:
272
Publication Date:
2006-01-01
Publisher:
Oxford University Press
ISBN-10:
019983976X
ISBN-13:
9780199839766
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