This book investigates Plato's complex relationship with the Homeric tradition and its performance. Gregory Nagy, a renowned scholar of classical literature, analyzes Plato's writings, particularly his critiques, to understand the cultural significance and performance practices of Homeric rhapsodes in ancient Athens. The book delves into Plato's nuanced understanding of the language and artistry of these performers, even as he expresses reservations about their art.

This scholarly work is recognized for its deep engagement with classical texts and its insightful analysis of Plato's perspective on Homeric performance. Nagy's expertise in Homeric studies provides a robust framework for understanding the nuances of ancient Greek oral traditions. The book is likely to be appreciated by specialists in classical philology and ancient Greek literature for its detailed textual examination and scholarly rigor. It offers a unique lens through which to view the cultural impact of Homeric epics in Plato's time.