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Playing Bit Parts in Shakespeare is a unique survey of the small supporting roles - such as foils, feeds, attendants and messengers - that feature in Shakespeare's plays. Exploring such issues as how bit players should conduct themselves within a scene, and how blank verse or prose may be spoken to bring out the complexities of character-definition, Playing Bit Parts in Shakespeare brings a wealth of insights to the dynamic of scenic construction in Shakespeare's dramaturgy. M.M. Mahood explores the different functions of minimal characters, from clearing the stage to epitomizing the overall effect of the comedy or tragedy, and looks at how they can extend the audience's knowledge of the social world of the play. She goes on to describe the entire corpus of minimal roles in a selection of six plays: * Richard III * The Tempest * King Lear * Antony & Cleopatra * Measure for Measure * Julius Caesar This new edition comes enhanced with a new Appendix, 'Who Says What', especially designed to aid directors in making decisions about the speaking parts of the minimal characters. It also comes complete with an index of characters (including line references) as well as a detailed general index. An invaluable aid for directors and actors in the rehearsal room, this perceptive and informative volume is equally of interest to students studying and writing about Shakespeare's plays.
This book investigates the functional and dramatic significance of minor, supporting roles within the plays of William Shakespeare. M. M. Mahood, a distinguished scholar of English literature, utilizes her extensive knowledge of Elizabethan dramaturgy to analyze how bit players contribute to the structural integrity and thematic depth of a production. By examining the mechanics of scenic construction, the author argues that even the smallest roles serve essential purposes in character definition, stage management, and the expansion of the play's social world.
What You Will Find
Scholars and theater practitioners frequently identify this work as a highly practical resource for understanding the nuances of Shakespearean performance. The text is noted for its ability to bridge the gap between academic literary analysis and the immediate needs of the rehearsal room.
Page Count:
296
Publication Date:
2002-01-01
Publisher:
Taylor & Francis Inc
ISBN-10:
0203049284
ISBN-13:
9780203049280
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