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This is the first systematic literary study of one of the masterpieces of classical Arabic literature, the fourth/tenth century Kitâb al-Aghânî (The Book of Songs) by Abû l-Faraj al-Isbahânî. Until now the twenty-four volume Book of Songs has been regarded as a rather chaotic but priceless mine of information about classical Arabic music, literature and culture. This book approaches it as a work of literature in its own right, with its own internal logic and coherence. The study also consistently integrates the musical component into the analysis and proposes a reading of the work in which individual anecdotes and poems are related to the wider context, enhancing their meaning.
This study investigates the structural integrity and literary coherence of the Kitâb al-Aghânî, challenging the traditional view of the work as a disorganized repository of historical data. Hilary Kilpatrick, a scholar of classical Arabic literature, applies a rigorous analytical framework to Abû l-Faraj al-Isbahânî’s twenty-four-volume compilation. By examining the text as a deliberate literary construction rather than a mere collection of anecdotes, the author demonstrates how the integration of musical and poetic elements serves a broader thematic purpose within the work.
What You Will Find
Scholars recognize this work as a foundational text for re-evaluating the Kitâb al-Aghânî beyond its traditional role as a historical archive. Readers frequently note the academic density of the prose, which provides a sophisticated framework for understanding the complexities of classical Arabic literary production.
Page Count:
448
Publication Date:
2003-01-01
Publisher:
Taylor & Francis Group
ISBN-10:
0203220617
ISBN-13:
9780203220610
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