This book investigates the presence and representation of the divine within the framework of popular Hollywood cinema. Andrew M. Greeley, a sociologist and priest, utilizes his background in theology and cultural analysis to argue that contemporary films frequently function as modern parables. He examines how directors and screenwriters employ metaphor, character archetypes, and visual motifs to explore religious themes, suggesting that the religious imagination remains a potent force in secular entertainment.

Critics and readers often note that Greeley provides an accessible entry point for those interested in the intersection of theology and pop culture. Scholars appreciate his ability to bridge the gap between academic religious study and mainstream film analysis without relying on overly dense jargon.