
Watching Jazz: Encounters with Jazz Performance on Screen is the first systematic study of jazz on screen media. Where earlier studies have focused almost entirely on the role and portrayal of jazz in Hollywood film, the present book engages with a plethora of technologies and media from early film and soundies through television to recent developments in digital technologies and online media. Likewise, the authors discuss jazz in the widest sense, ranging from Duke Ellington and Jimmy Dorsey through the likes of Dizzy Gillespie, Art Blakey, Oscar Peterson, Miles Davis, John Coltrane and Charles Mingus to Pat Metheny.Much of this rich and fascinating material has never been studied in depth before, and what emerges most clearly are the manifold connections between the music and the media on which it was and is being recorded. Its long association with film and television has left its trace in jazz, just as online and social media are subtly shaping it now. Vice versa, visual media have always benefited from focusing on music and this significantly affected their development. The book follows these interrelations, showing how jazz was presented and represented on screen and what this tells us about the music, the people who made it and their audiences. The result is a new approach to jazz and the media, which will be required reading for students of both fields.
This book investigates the historical and technological evolution of jazz performance as it has been captured, mediated, and transformed through various screen formats. The authors, Björn Heile, Jenny Doctor, and Peter Elsdon, utilize a multidisciplinary approach to examine the symbiotic relationship between jazz musicians and visual media. By analyzing the intersection of sound recording and visual representation, the text argues that the medium of delivery fundamentally shapes the perception and development of the music itself.
What You Will Find
Scope Limits
Experts identify this work as a foundational text for scholars interested in the intersection of musicology and media studies. Readers frequently note the academic rigor and the breadth of the historical survey provided by the authors.
Page Count:
309
Publication Date:
2016-01-01
Publisher:
Oxford University Press
ISBN-10:
0190456825
ISBN-13:
9780190456825
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