
Leipzig, Germany, Is Renowned As The City Where Johann Sebastian Bach Worked As A Church Musician Until His Death In 1750, And Where Felix Mendelssohn Bartholdy Directed The Famed Gewandhaus Orchestra Until His Own Death In 1847. But The Century In Between These Events Was Critically Important As Well. During This Period, Leipzig's Church Music Enterprise Was Convulsed By Repeated External Threats-a Growing Middle Class That Viewed Music As An Object Of Public Consumption, Religious And Political Tumult, And The Chaos Of The Seven Years And Napoleonic Wars. Jeffrey S. Sposato's Leipzig After Bach Examines How These Forces Changed Church And Concert Life In Leipzig. Whereas Most European Cities Saw Their Public Concerts Grow Out Of Secular Institutions Such As A Royal Court Or An Opera Theater, Neither Of These Existed When Leipzig's First Subscription Concert Series, The Grosse Concert, Was Started In 1743. Instead, The City Had A Thriving Lutheran Church-music Enterprise That Had Been Brought To Its Zenith By Bach. Paid Subscription Concerts Therefore Found Their Roots In Leipzig's Church Music Tradition, With Important And Unique Results. These Included A Revolving Door Between The Thomaskantor Position And The Gewandhaus Directorship, As Well As Public Concerts With A Distinctly Sacred Flavor. Late In The Century, As Church Attendance Faltered And Demand For Subscription Concerts Rose, The Gewandhaus Dominated The Musical Life Of Leipzig, Influencing Church Music Programming In Turn. Examining Liturgical Documents, Orchestral Programs, And Dozens Of Unpublished Works Of Church And Concert Music, Leipzig After Bach Sheds New Light On A Century That Redefined The Relationship Between Sacred And Secular Musical Institutions.
How did the intersection of religious tradition and secular demand transform the musical landscape of Leipzig between the deaths of Johann Sebastian Bach and Felix Mendelssohn? Jeffrey S. Sposato, a scholar of music history, utilizes archival liturgical documents, orchestral programs, and previously unpublished musical scores to reconstruct the evolution of Leipzig's institutional music. He argues that the city's unique lack of royal or operatic patronage forced a symbiotic, often volatile, relationship between the Lutheran church music enterprise and the emerging public subscription concert model.
What You Will Find
Scope Limits
Scholars and musicologists recognize this work as a significant contribution to the understanding of eighteenth and nineteenth-century German musical infrastructure. Readers frequently note the academic density of the prose, which provides a rigorous examination of the institutional shifts that defined the era.
Page Count:
288
Publication Date:
2018-01-01
Publisher:
Oxford University Press
ISBN-10:
0190616962
ISBN-13:
9780190616960
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