
'every heart imagines itself the first to thrill to a myriad sensations which once stirred the hearts of the earliest creatures and which will again stir the hearts of the last men and women to walk the earth' What is a life? How shall a storyteller conceive a life? What if art means pattern and life has none? How, then, can any story be true to life? These are some of the questions which inform the first of Maupassant's six novels, A Life (Une Vie) (1883) in which he sought to parody and expose the folly of romantic illusion. An unflinching presentation of a woman's life of failure and disappointments, where fulfilment and happiness might have been expected, A Life recounts Jeanne de Lamare's gradual lapse into a state of disillusion. With its intricate network of parallels and oppositions, A Life reflects the influence of Flaubert in its attention to form and its coherent structure. It also expresses Maupassant's characteristic naturalistic vision in which the satire of bourgeois manners, the representation of the aristocracy in pathological decline, the undermining of human individuality and ideals, and the study of deterioration and disintegration, all play a role. But above all Maupassant brings to his first novel the short story writer's genius for a focused tension between stasis and change, and A Life is one of his most compelling portraits of dispossession and powerlessness. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
Jeanne de Lamare, a young woman entering adulthood with idealistic expectations, faces a slow, crushing erosion of her hopes as she navigates a marriage defined by betrayal and social decline. The narrative follows Jeanne from her sheltered youth through the decades of her life, documenting her transition from naive optimism to profound disillusionment. Maupassant utilizes a third-person perspective to observe the stark contrast between Jeanne's romanticized view of the world and the harsh, mundane reality of her existence. The story operates within the rigid social constraints of 19th-century Normandy, where the decline of the aristocracy and the hypocrisy of bourgeois manners serve as the primary forces opposing the protagonist's desire for fulfillment.
Readers and critics frequently highlight the novel's unflinching commitment to realism and its rejection of romantic sentimentality. Discussion often centers on Maupassant's ability to transform the mundane details of a life into a profound study of disappointment and loss. Many observers note the effectiveness of the author's naturalistic vision, which portrays the protagonist's suffering as an inevitable consequence of her environment and social position. The work is often praised for its structural coherence and the sharp, clinical precision with which the author dissects the human condition. Readers interested in the evolution of the novel form often find this text a significant example of how short-story techniques can be applied to longer narrative structures.
Page Count:
289
Publication Date:
1999-01-01
Publisher:
OUP Oxford
ISBN-10:
0191027251
ISBN-13:
9780191027253
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