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This is the first full-length study of literary tourism in North America as well as Britain, and a unique exploration of popular response to writers, literary house museums, and the landscapes or "countries " associated with their lives and works. An interdisciplinary study ranging from 1820-1940, Homes and Haunts: Touring Writers' Shrines and Countries unites museum and tourism studies, book history, narrative theory, theories of gender, space, and things, and other approaches to depict and interpret the haunting experiences of exhibited houses and the curious history of topo-biographical writing about famous authors. In illustrated chapters that blend Victorian and recent first-person encounters that range from literary shrines and plaques to guidebooks, memoirs, portraits, and monuments, Alison Booth discusses pilgrims such as William and Mary Howitt, Anna Maria and Samuel Hall, and Elbert Hubbard, and magnetic hosts and guests as Washington Irving, Wordsworth, Martineau, Longfellow, Hawthorne, James, and Dickens. Virginia Woolf's feminist response to homes and haunts shapes a chapter on Mary Russell Mitford, Gaskell, and the Brontës, and another on the Carlyles' house and Monk's House. Booth rediscovers collections of personalities, haunted shrines, and imaginative re-enactments that have been submerged by a century of academic literary criticism.
This study investigates the historical development and cultural significance of literary tourism, specifically focusing on how the public interacts with the homes and landscapes associated with famous writers. Alison Booth, a scholar in literature and cultural studies, utilizes an interdisciplinary framework to examine the intersection of book history, museum studies, and narrative theory. By analyzing a wide range of primary sources from 1820 to 1940, she argues that the act of visiting literary shrines constitutes a distinct form of biographical engagement that has been largely overlooked by traditional academic criticism.
What You Will Find
Scope Limits
Scholars and critics recognize this work as a significant contribution to the study of literary reception and the material culture of authorship. Readers frequently note the academic density of the prose, which effectively bridges the gap between historical research and contemporary tourism theory.
Page Count:
300
Publication Date:
2016-01-01
Publisher:
OUP Oxford
ISBN-10:
0191076899
ISBN-13:
9780191076893
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