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Singing for the Gods develops a new approach towards an old question in the study of religion - the relationship of myth and ritual. Focusing on ancient Greek religion, Barbara Kowalzig exploits the joint occurrence of myth and ritual in archaic and classical Greek song-culture. She shows how choral performances of myth and ritual, taking place all over the ancient Greek world in the early fifth century BC, help to effect social and political change in their own time. Religious song emerges as integral to a rapidly changing society hovering between local, regional, and panhellenic identities and between aristocratic rule and democracy. Drawing on contemporary debates on myth, ritual, and performance in social anthropology, modern history, and theatre studies, this book establishes Greek religion's dynamic role and gives religious song-culture its deserved place in the study of Greek history.
This book investigates how the integration of myth and ritual within choral performance functioned as a mechanism for social and political transformation in archaic and classical Greece. Barbara Kowalzig, a specialist in Greek history and religion, utilizes a multidisciplinary framework to analyze the intersection of song-culture and societal evolution. By examining the early fifth century BC, she argues that religious performance was not merely a static tradition but a dynamic force that navigated the tensions between local, regional, and panhellenic identities during the transition from aristocratic rule to democracy.
What You Will Find
Scope Limits
Scholars in the field of classics recognize this work as a significant contribution to the study of Greek religion and performance theory. Readers frequently note the academic density of the prose and the author's rigorous application of anthropological methodology to historical evidence.
Page Count:
528
Publication Date:
2007-01-01
Publisher:
OUP Oxford
ISBN-10:
0191527513
ISBN-13:
9780191527517
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