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The Wrong Box (1889) is one of Stevenson's strangest works. Written with his stepson Lloyd Osborne, it is a masterpiece of black comedy, turning on mistaken identity, the disappearance of a corpse, and several makeshift coffins. V.S. Pritchett described it as "a farce that slips down the throat with the nicety of an oyster," and, according to E.F. Benson, it is "perhaps the most superb extravaganza in the language." In this intriguing work, the Finsbury family has long been involved in a Tontine--a scheme in which subscribers invest money in a fund which them falls to the last survivor. Now there are only two aged uncles between Morris and John Finsbury and their fortune. A railway accident appears to dispose of one, and then the farce begins. In this eccentric and brilliantly plotted story, the authors not only extended the boundaries of good taste, but also satirized the popular Railway Novel genre, perplexing many Victorian readers.
The sudden death of an uncle in a railway accident triggers a chaotic scramble for a Tontine fortune, forcing the surviving heirs into a series of increasingly desperate and absurd maneuvers to conceal the truth. The narrative follows the Finsbury brothers, Morris and John, as they navigate the logistical nightmare of transporting a corpse while attempting to secure their inheritance. Their objective is complicated by the rigid social expectations of the Victorian era and the constant threat of discovery by rivals and authorities. The story utilizes a third-person perspective to highlight the irony of the characters' predicament, emphasizing the physical comedy inherent in their attempts to hide the body in various makeshift coffins.
Readers and critics frequently identify this work as a departure from Stevenson's more serious adventure novels, noting its sharp wit and unconventional tone. Discussion often centers on the authors' ability to maintain a high-energy, farcical pace while navigating the macabre premise of the missing corpse. Many observers highlight the book's role as a satire of the popular literature of its time, noting how it challenged the boundaries of Victorian taste. The balance between the intricate plot mechanics and the eccentric characterizations remains a primary point of interest for those examining the evolution of comedic fiction. Readers often appreciate the dry, cynical humor that permeates the narrative, making it a distinct entry in the authors' combined bibliography.
Page Count:
192
Publication Date:
1995-12-14
Publisher:
Oxford University Press
ISBN-10:
0192824260
ISBN-13:
9780192824264