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This eighteenth-century satire is the product of a distinguished club whose members included Alexander Pope, Jonathan Swift, John Gay, John Arbuthnot, Thomas Parnell, and Robert Harley. Together they set out to lampoon bad taste in learning and the arts by publishing the errors and pretensionsof the fictional Martinus Scriblerus. With the death of Queen Anne the group disbanded, leaving Pope to finish the project thirty years later. This long-neglected masterpiece is accompanied by a preface that sets the Scriblerus club in its historical context and extensive notes that clarify themany allusions and discuss the themes of each chapter. Still amusing, the work is also an invaluable source of information on Augustan taste in such areas as education, music, philosophy, and science.
This work investigates the intellectual pretension and poor taste prevalent in eighteenth-century academic and artistic circles through the lens of a fictional pedant. Charles Kerby-Miller provides a comprehensive scholarly framework, utilizing the original satirical text alongside extensive historical annotations to contextualize the collaborative efforts of the Scriblerus Club. The book argues that the absurdity of Martinus Scriblerus serves as a mirror for the era's misplaced priorities in education, philosophy, and scientific inquiry. By documenting the club's history, the author establishes the text as a critical artifact of Augustan cultural critique.
What You Will Find
Scholars and historians frequently cite this edition as the definitive resource for understanding the collaborative satire of the Scriblerus Club. Readers often note the academic density of the prose, which is balanced by the inclusion of essential historical context for the primary source material.
Page Count:
432
Publication Date:
1988-11-17
Publisher:
Oxford University Press
ISBN-10:
0195206479
ISBN-13:
9780195206470
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