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Satish Alekar, Mahesh Elkunchwar, and Vijay Tendulkar constitute the trinity who wrote and produced some of the most influential and progressive plays of modern Indian theatre, and in doing so, shaped modern Marathi theatre. This volume of Satish Alekar's Collected Plays, the second of two, includes some of his finest works in translation: Begum Barve and Mickey ani Memsahib. Alekar uses colloquialisms, traditional Maharashtrian performance practices, black humour, and devices from the theatre of the absurd to create an oblique sense of reality in his plays. Begum Barve (1979) is a lament for the cultural forms that are lost to modernity. Barve is a throwback to the lost era of Marathi musicals and the play is about his final attempt at living his life on his own terms--an attempt that is cruelly crushed, sadly, by his long-time partner. Mickey ani Memsahib (1973) is a surreal play about an Amazonian woman who controls her scientist husband physically and mentally, who in turn seeks his escape through his scientific experiments. The plot is almost novelistic and is a brilliant satire on the nature of scientific modernity. The plays have been translated by Shanta Gokhale and Priya Adarkar, respectively.
This collection presents the central conflicts of individuals struggling against societal shifts and personal entrapment within the framework of modern Marathi theatre. Alekar’s protagonists often find themselves caught between traditional cultural legacies and the cold, often absurd, realities of modern existence. The plays utilize non-linear structures and surrealist elements to challenge the audience's perception of reality. Through these works, the author explores the tension between personal autonomy and the crushing weight of external expectations or domestic control.
Readers and critics frequently highlight Alekar’s ability to blend local cultural nuances with universal themes of alienation and control. Discussion often centers on the effectiveness of his black humour in exposing the fragility of the human condition. Scholars of Indian theatre emphasize the importance of these plays in defining the progressive movement within Marathi drama. The balance between the surrealist atmosphere and the grounded, often tragic, character arcs remains a frequent point of analysis. Many readers appreciate the translation work for maintaining the rhythmic quality and sharp wit of the original Marathi scripts.
Page Count:
240
Publication Date:
2008-12-15
Publisher:
Oxford University Press
ISBN-10:
0195694937
ISBN-13:
9780195694932
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