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The Cheese and the Worms is a study of the popular culture in the sixteenth century as seen through the eyes of one man, a miller brought to trial during the Inquisition. Carlo Ginzburg uses the trial records of Domenico Scandella, a miller also known as Menocchio, to show how one person responded to the confusing political and religious conditions of his time.For a common miller, Menocchio was surprisingly literate. In his trial testimony he made references to more than a dozen books, including the Bible, Boccaccio's Decameron, Mandeville's Travels, and a "mysterious" book that may have been the Koran. And what he read he recast in terms familiar to him, as in his own version of the creation: "All was chaos, that is earth, air, water, and fire were mixed together; and of that bulk a mass formed—just as cheese is made out of milk—and worms appeared in it, and these were the angels."
How did a sixteenth-century Italian miller construct a unique, heterodox cosmology from the intersection of oral tradition and the burgeoning availability of printed books? Carlo Ginzburg, a pioneer of microhistory, utilizes the extensive Inquisition trial records of Domenico Scandella—known as Menocchio—to reconstruct the intellectual life of a commoner. By analyzing Menocchio's testimony, Ginzburg argues that popular culture was not merely a passive recipient of elite ideas but an active, creative force that synthesized diverse texts into a distinct worldview.
What You Will Find
Scope Limits
Historians widely regard this work as a foundational text in the field of microhistory for its innovative use of judicial archives to access the mentalities of the marginalized. Readers frequently note the academic density of the prose, which demands careful attention to the nuances of Ginzburg's historical methodology.
Page Count:
208
Publication Date:
1982-01-28
Publisher:
Penguin Books
ISBN-10:
0140060464
ISBN-13:
9780140060461
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