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This collection of essays deals with one central problem: who is the "I" in the odes of the ancient Greek poet Pindar? Since antiquity, the complex and allusive language of the first-person statements has provoked many different answers. In First Person Fictions, Lefkowitz describes the function and nature of Pindar's "I"-statements and offers a controversial solution, proposing that the voice of the victory odes is, rather than a changing identity, the voice of the poet himself. Also refuting the traditional belief that the odes were sung by a chorus, Lefkowitz shows that in most cases they were sung as solos in the tradition of the Homeric bards. Extensively rewritten since their publication as articles, these essays are sure to provide a controversial and stimulating approach to the study of Pindar.
This work investigates the identity and function of the first-person voice within the victory odes of the ancient Greek poet Pindar. Mary R. Lefkowitz, a scholar of classical antiquity, utilizes a rigorous analysis of Pindaric language and performance traditions to challenge long-standing academic assumptions. She argues that the 'I' in these poems represents the poet's own persona rather than a shifting or choral identity, fundamentally altering the interpretation of Pindar's work.
What You Will Find
Scholars frequently note the provocative nature of Lefkowitz's arguments regarding the performance of Pindar's odes. The text is recognized as a significant contribution to classical scholarship that challenges established paradigms in the study of ancient Greek lyric poetry.
Page Count:
240
Publication Date:
1991-09-26
Publisher:
Clarendon Press
ISBN-10:
0198146868
ISBN-13:
9780198146865
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