
Tandem Dances: Choreographing Immersive Performance Is The First Book To Propose Dance And Choreography As Frames Through Which To Examine Immersive Theatre, More Broadly Known As Immersive Performance. Indicative Of A Larger Renaissance In Storytelling During The Digital Age, Immersive Performance Is Influenced By Emerging Computer Technologies, Such As Virtual Reality And Advances In Video-gaming, As Well As Increased Interest In New Forms Of Experiential Entertainment. The Idea Of Tandemness Suggesting Motion That Is Achieved By Two Bodies Working Together And Acting In Conjunction With One Another Is Critical Throughout The Book. Author Julia M. Ritter Persuasively Argues That Practitioners Of Immersive Productions Deploy Choreography As A Structural Mechanism To Mobilize The Bodies Of Cast And Audience Members To Perform Together. Furthermore, Choreography Is Contextualized As An Effective Tool For Facilitating Audience Participation Towards Immersion As An Affect. Through A Focus On Western Dance Histories, Theories, And Practices, Ritter's Close Choreographic Analysis Of Immersive Productions, Along With Unique Insights From Choreographers, Directors, Performers, And Spectators, Enlivens Discourse Across Dramaturgy, Kinesthesia, Affect, And Co-authorship. By Foregrounding The Choreographic In Order To Examine Its Specific Impact On The Evolution Of Immersive Theater, Tandem Dances Explores Choreography As A Discursive Domain That Is Fundamentally Related To Creative Practice, Agendas Of Power And Control, And Concomitant Issues Of Freedom And Agency.
This book investigates how choreography functions as a structural and conceptual framework for immersive performance in the digital age. Julia M. Ritter, a scholar of dance and performance, utilizes a synthesis of Western dance history, production analysis, and interviews with industry practitioners to argue that choreography is the primary mechanism for managing audience participation and movement. She posits that the concept of 'tandemness'—the coordinated motion of bodies—is essential to understanding how immersive theater creates affective experiences and negotiates power dynamics between performers and spectators.
What You Will Find
Scope Limits
Scholars and practitioners in the field of performance studies recognize this work as a significant contribution to the discourse on audience participation and embodied experience. Experts frequently highlight the text for its ability to bridge the gap between dance theory and the evolving landscape of immersive digital-age entertainment.
Page Count:
384
Publication Date:
2020-01-01
Publisher:
Oxford University Press
ISBN-10:
0190051329
ISBN-13:
9780190051327
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