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Greek tragedy is currently being performed more frequently than at any time since classical antiquity. This book is the first to address the fundamental question, why has there been so much Greek tragedy in the theatres, opera houses and cinemas of the last three decades? A detailed chronological appendix of production information and lavish illustrations supplement the fourteen essays by an interdisciplinary team of specialists from the worlds of classics, theatre studies, and the professional theatre. They relate the recent appeal of Greek tragedy to social trends, political developments, aesthetic and performative developments, and the intellectual currents of the last three decades, especially multiculturalism, post-colonialism, feminism, post-structuralism, revisions of psychoanalytical models, and secularization.
This book investigates the reasons behind the unprecedented surge in global performances of Greek tragedy within theaters, opera houses, and cinemas over the last thirty years.
Edited by Amanda Wrigley, Fiona Macintosh, and Edith Hall, this collection brings together an interdisciplinary team of scholars and theater professionals. The authors analyze how contemporary social, political, and aesthetic shifts have revitalized ancient narratives for modern audiences. By examining the intersection of classical tradition and modern intellectual currents, the text provides a framework for understanding the enduring relevance of these ancient works.
What You Will Find
Experts recognize this volume as a foundational resource for understanding the modern reception of Greek tragedy. Readers frequently note the academic rigor and the breadth of the interdisciplinary approach taken by the contributors.
Page Count:
504
Publication Date:
2004-03-11
Publisher:
Oxford University Press
ISBN-10:
0199259143
ISBN-13:
9780199259144
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