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Musicians are continually 'in the making', tapping into their own creative resources while deriving inspiration from teachers, friends, family members and listeners. Amateur and professional performers alike tend not to follow fixed routes in developing a creative voice: instead, their artistic journeys are personal, often without foreseeable goals. The imperative to assess and reassess one's musical knowledge, understanding and aspirations is nevertheless a central feature of life as a performer.Musicians in the Making explores the creative development of musicians in both formal and informal learning contexts. It promotes a novel view of creativity, emphasizing its location within creative processes rather than understanding it as an innate quality. It argues that such processes may be learned and refined, and furthermore that collaboration and interaction within group contexts carry significant potential to inform and catalyze creative experiences and outcomes. The book also traces and models the ways in which creative processes evolve over time.Performers, music teachers and researchers will find the rich body of material assembled here engaging and enlightening. The book's three parts focus in turn on 'Creative learning in context', 'Creative processes' and 'Creative dialogue and reflection'. In addition to sixteen extended chapters written by leading experts in the field, the volume includes ten 'Insights' by internationally prominent performers, performance teachers and others. Practical aids include abstracts and lists of keywords at the start of each chapter, which provide useful overviews and guidance on content.Topics addressed by individual authors include intrapersonal and interpersonal dynamics, performance experience, practice and rehearsal, 'self-regulated performing', improvisation, self-reflection, expression, interactions between performers and audiences, assessment, and the role of academic study in performers' development.
This volume investigates the core question of how musicians cultivate and refine their creative identity through both formal education and informal practice. The authors, including Aaron Williamon, Helena Gaunt, and John Rink, synthesize research from musicology, psychology, and pedagogy to argue that creativity is a dynamic, learnable process rather than an innate talent. By examining the interplay between individual reflection and collaborative interaction, the text provides a framework for understanding how performers evolve their artistic voice over time.
What You Will Find
Experts in music pedagogy highlight this volume as a foundational text for understanding the intersection of performance practice and creative development. Readers frequently note the academic density of the prose, which serves as a comprehensive resource for researchers and advanced practitioners in the field.
Page Count:
408
Publication Date:
2017-12-15
Publisher:
Oxford University Press
ISBN-10:
0199346674
ISBN-13:
9780199346677